Tập huấn hè 2008_3
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Chia sẻ tài liệu: Tập huấn hè 2008_3 thuộc Bài giảng khác
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TEACHING LISTENING
PRESENTED BY
QUESTIONS FOR DISCUSSION
What kinds of listening should be used in class?
Point out some listening problems faced by your students. Suggest possible solutions to these problems.
Discuss the bottom-up and top-down processing in teaching listening.
Follow-up activity
KINDS OF LISTENING
According to Harmer (1998:98), there are two kinds of listening material:
Authentic listening material is unscripted material or pre-recorded announcements, telephone messages, lectures, plays, news broadcasts, interviews, other radio program stories read aloud, etc.
Realistic listening material is scripted material.
KINDS OF LISTENING (continued)
NOTE
Authentic listening material may cause problems to students, especially to beginners because they won’t understand a word; however it can give students a feel for the sound of the language and becomes accustomed to the authentic language that will facilitate their communication in real life later on.
KINDS OF LISTENING (continued)
Doff (1995:199) notes that in real life there are two kinds of listening:
Casual listening: People listen with no particular purpose in mind , and often without much concentration (i.e. they do not listen very closely, and may not remember much of what they heard)
e.g. Listening to the radio while doing some housework; chatting to a friend.
KINDS OF LISTENING (continued)
Focused listening: People listen for a particular purpose to find out information they need to know (i.e. they listen much more closely for the most important points or for particular information)
e.g. Listening to a piece of important news on the radio.
Listening to someone explaining how to operate a machine.
NOTE:
According to him, the kind of listening used in class should be focused listening. Teachers expect students to listen closely and remember afterwards what they heard.
SOME LISTENING PROBLEMS FACED BY THE STUDENTS
Students have to go with the speed of the voice (s) when listening. If they fail to recognize a word or phrase they have not understood and stop to think about it, they often miss the next part of the tape and are falling behind in terms of comprehension.
SOME LISTENING PROBLEMS FACED BY THE STUDENTS (continued)
Students might meet problems caused by informal spoken language which has a number of unique features including the use of
- Incomplete of utterances (e.g. Dinner? Instead of “Is dinner ready?”)
- Repetitions (e.g. I’m absolutely sure, absolutely sure you know that she’s right)
- Hesitations (e.g. yes, well, umm, yes, possibly, but, er…)
- Tone of the voice (high pitch or low pitch)
- The intonation used by the speakers
- Accent
- Background noise
TOP-DOWN AND BOTTOM-UP PROCESSING
In top-down processing, the listener gets a general view or idea of the listening text by absorbing the overall picture/ reviewing what he knows about the topic to interpret the message he has heard.
In bottom-up processing, the listener focuses on individual words, phrases or cohesive devices and achieves understanding by stringing these detailed elements together to build up a whole.
SIX PRINCIPLES BEHIND TEACHING LISTENING
Principle 1: The tape recorder is just as important as tape.
Principle 2: Preparation is vital.
Principle 3: Once will not be enough.
Principle 4: Students should be encouraged to respond to the content of a listening, not just to the language.
Principle 5: Different listening stages demand different listening tasks.
Principle 6: Good teachers exploit listening texts to the full.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Organiser
- Teacher gives students a clear and authentic purpose for listening and clear instructions about how to achieve their listening purpose.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Machine operator
Teacher should use the tape player as efficiently as possible; i.e. knowing exactly where the segment he wishes to use is on the tape and how to get back there.
Teacher should test the recording out before taking it into class.
Teacher should make decisions about where he can stop the recording for particular questions and in response to the students’needs.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Feedback organiser
- Teacher should lead a feedback session to check that students have completed the listening task successfully.
- Teacher allows them to co-operate and help each other after listening by having them compare their answers in pairs. Then he asks for answers from the class in general or from pairs in particular.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Prompter
Teacher can prompt students to listen to the recording again to recognize a variety of language and spoken features or give them script dictations/ cloze listening to provoke their awareness of certain language items.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Pre-listening (Presentation stage)
Teachers work on the general topic in order to get students to think about what they already know and in order to establish a reason for listening.
Teachers might
stimulate students’ interest by setting the scene;
help students by giving them a context by pre-teaching some of the most difficult language (new words/difficult grammar points/ structures);
encourage them to make predictions about the content of the text;
give students a clear and authentic purpose for listening;
ask them one/ two guiding questions or engage them in listening activities.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Pre-listening
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
While-listening (practice stage)
Teachers use questions and tasks to practice appropriate listening skills.
Teachers
allow students to listen to the text (s) twice/ several times and do the tasks or answer questions;
allow them to co-operate and help each other after listening;
check their listening comprehension by using different tasks/ activities/ questions.
While-listening skills
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Post-listening (production stage)
- Teachers show some connection between the new information and students’ lives.
- Teachers help students improve listening and speaking skills or writing skills based on the information and the new language materials learnt by using a variety of speaking-listening tasks and activities.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Post- listening activities
FOLLOW-UP ACTIVITY
In groups,choose a listening task in TA nang cao 12 and make a lesson plan. Then demonstrate your lesson plan.
PRESENTED BY
QUESTIONS FOR DISCUSSION
What kinds of listening should be used in class?
Point out some listening problems faced by your students. Suggest possible solutions to these problems.
Discuss the bottom-up and top-down processing in teaching listening.
Follow-up activity
KINDS OF LISTENING
According to Harmer (1998:98), there are two kinds of listening material:
Authentic listening material is unscripted material or pre-recorded announcements, telephone messages, lectures, plays, news broadcasts, interviews, other radio program stories read aloud, etc.
Realistic listening material is scripted material.
KINDS OF LISTENING (continued)
NOTE
Authentic listening material may cause problems to students, especially to beginners because they won’t understand a word; however it can give students a feel for the sound of the language and becomes accustomed to the authentic language that will facilitate their communication in real life later on.
KINDS OF LISTENING (continued)
Doff (1995:199) notes that in real life there are two kinds of listening:
Casual listening: People listen with no particular purpose in mind , and often without much concentration (i.e. they do not listen very closely, and may not remember much of what they heard)
e.g. Listening to the radio while doing some housework; chatting to a friend.
KINDS OF LISTENING (continued)
Focused listening: People listen for a particular purpose to find out information they need to know (i.e. they listen much more closely for the most important points or for particular information)
e.g. Listening to a piece of important news on the radio.
Listening to someone explaining how to operate a machine.
NOTE:
According to him, the kind of listening used in class should be focused listening. Teachers expect students to listen closely and remember afterwards what they heard.
SOME LISTENING PROBLEMS FACED BY THE STUDENTS
Students have to go with the speed of the voice (s) when listening. If they fail to recognize a word or phrase they have not understood and stop to think about it, they often miss the next part of the tape and are falling behind in terms of comprehension.
SOME LISTENING PROBLEMS FACED BY THE STUDENTS (continued)
Students might meet problems caused by informal spoken language which has a number of unique features including the use of
- Incomplete of utterances (e.g. Dinner? Instead of “Is dinner ready?”)
- Repetitions (e.g. I’m absolutely sure, absolutely sure you know that she’s right)
- Hesitations (e.g. yes, well, umm, yes, possibly, but, er…)
- Tone of the voice (high pitch or low pitch)
- The intonation used by the speakers
- Accent
- Background noise
TOP-DOWN AND BOTTOM-UP PROCESSING
In top-down processing, the listener gets a general view or idea of the listening text by absorbing the overall picture/ reviewing what he knows about the topic to interpret the message he has heard.
In bottom-up processing, the listener focuses on individual words, phrases or cohesive devices and achieves understanding by stringing these detailed elements together to build up a whole.
SIX PRINCIPLES BEHIND TEACHING LISTENING
Principle 1: The tape recorder is just as important as tape.
Principle 2: Preparation is vital.
Principle 3: Once will not be enough.
Principle 4: Students should be encouraged to respond to the content of a listening, not just to the language.
Principle 5: Different listening stages demand different listening tasks.
Principle 6: Good teachers exploit listening texts to the full.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Organiser
- Teacher gives students a clear and authentic purpose for listening and clear instructions about how to achieve their listening purpose.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Machine operator
Teacher should use the tape player as efficiently as possible; i.e. knowing exactly where the segment he wishes to use is on the tape and how to get back there.
Teacher should test the recording out before taking it into class.
Teacher should make decisions about where he can stop the recording for particular questions and in response to the students’needs.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Feedback organiser
- Teacher should lead a feedback session to check that students have completed the listening task successfully.
- Teacher allows them to co-operate and help each other after listening by having them compare their answers in pairs. Then he asks for answers from the class in general or from pairs in particular.
INTENSIVE LISTENING:
THE ROLE OF THE TEACHER
Prompter
Teacher can prompt students to listen to the recording again to recognize a variety of language and spoken features or give them script dictations/ cloze listening to provoke their awareness of certain language items.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Pre-listening (Presentation stage)
Teachers work on the general topic in order to get students to think about what they already know and in order to establish a reason for listening.
Teachers might
stimulate students’ interest by setting the scene;
help students by giving them a context by pre-teaching some of the most difficult language (new words/difficult grammar points/ structures);
encourage them to make predictions about the content of the text;
give students a clear and authentic purpose for listening;
ask them one/ two guiding questions or engage them in listening activities.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Pre-listening
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
While-listening (practice stage)
Teachers use questions and tasks to practice appropriate listening skills.
Teachers
allow students to listen to the text (s) twice/ several times and do the tasks or answer questions;
allow them to co-operate and help each other after listening;
check their listening comprehension by using different tasks/ activities/ questions.
While-listening skills
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Post-listening (production stage)
- Teachers show some connection between the new information and students’ lives.
- Teachers help students improve listening and speaking skills or writing skills based on the information and the new language materials learnt by using a variety of speaking-listening tasks and activities.
GUIDELINES FOR TEACHING LISTENING IN CLASS
(continued)
Post- listening activities
FOLLOW-UP ACTIVITY
In groups,choose a listening task in TA nang cao 12 and make a lesson plan. Then demonstrate your lesson plan.
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